Artists Studio Wed, 12 Jan 2022 09:56:00 +0000 en-US hourly 1 Artists Studio 32 32 Avatar Fan Art transforms a classic painting into a mighty last airbender Wed, 12 Jan 2022 09:56:00 +0000

An Artistic Avatar Fan: The Last Airbender transforms Alexandre Cabanel’s classic religious painting, “The Fallen Angel”, into “The Fury of the Avatar”.

A stunning new piece of fan art combines Nickelodeon’s iconic animated series, Avatar: The Last Airbender, with classical 19th century art.

Created and uploaded by Avatar News, the fan art sees “The Fallen Angel” from The Firefighter Art by painter Alexandre Cabanel from 1847 transformed into “The Fury of the Avatar”. The original and the new take on are shown side by side, as the Avatar News painting shows Cabanel’s angel hair and wings removed and replaced with Aang’s glowing eyes and tattoos in Avatar State.

RELATED: Is Avatar: The Last Airbender Technically A Superhero Show?

Cabanel was a prolific 19th century French painter who was Napoleon III’s favorite painter. He is probably best known for his 1863 painting, “The Birth of Venus”, which is considered an optimal example of the academic art style of the 19th century. Like many of his paintings, “The Fallen Angel” is full of religious images, depicting Lucifer just after being cast out of heaven. Cabanel mainly focused on religious and historical subjects and other important examples of his works include “Cleopatra Testing Poisons on Condemned Prisoners” (1887), “Ophelia” (1883) and “The Expulsion of Adam and Eve from the Garden of Paradise “(1867).

“The Avatar’s Fury” isn’t the only recent example of fan-made content for Nickelodeon’s beloved cartoon. Of them Avatar fans showed off their culinary prowess by creating delicious pies based on fan favorite characters and four colorful plans based on elemental nations. Outside of the world of food and drink, a new fan theory puts an even darker twist on Zuko’s scar and another provides a chilling explanation for the volatile behavior of Ozai and Azula throughout the series. .

RELATED: Avatar Fan Favorites Mai & Ty Lee To Appear In Season 1 Of The Netflix Adaptation

Fans of Avatar: The Last Airbender have a lot more to be excited about than just awesome works of fan-created content. Principal photography is officially underway in Vancouver, Canada for the series’ live-action adaptation by Netflix. Several key characters have already been cast, including Daniel Dae Kim as Fire Lord Ozai and Paul Sun-Hyung Lee as Uncle Iroh. As for the main trio, Gordon Cormier plays Avatar Aang, with Ian Ousley and Kiawentiio Tarbell respectively Sokka and Katara.

What’s more, Avatar: the airbender receives its own tabletop role-playing game (RPG), Avatar legends. However, while the game was originally scheduled to ship in early 2022, it has been delayed until this summer due to the continued shortage of paper caused by the coronavirus pandemic (COVID-19). “We apologize for the delay in delivery. We know this is not ideal and we are so sad that we cannot do any magic,” explained developer Magpie Games. “Sometimes the trips take longer than expected. “

All seasons of Avatar: The Last Airbender and its sequel series, The legend of Korra, are available for streaming on Netflix. The live-action series does not yet have a release date.

KEEP READING: Latest Airbending and Kyoshi Novels Reveal Where Airbending Is Most Powerful

Source: Twitter

Disney’s treatment of Pixar gets weird

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Metal and Lace Wanted for Public Art Park Project Honoring Women of Pittsburgh’s Industrial History | Visual arts | Pittsburgh Tue, 11 Jan 2022 21:59:05 +0000 Photo of the CP: Amanda Waltz OOA Designs artists Oreen Cohen (left) and Alison Zapata (right) pose next to their sculpture in Wightman Park Got some scrap or lace lying around? Make it part of a new art project taking place …]]>

Click to enlarge sculpture in Wightman Park – PR PHOTO: AMANDA WALTZ” width=”647″ height=”421″/>

Photo of the CP: Amanda Waltz

OOA Designs artists Oreen Cohen (left) and Alison Zapata (right) pose next to their sculpture in Wightman Park

Got some scrap or lace lying around? Make it part of a new art project taking place in Emerald View Park in Pittsburgh.

The City of Pittsburgh’s Art in Parks Project is currently researching scrap metal, including old pipes, toolboxes and other materials, as well as images and photographs of lace patterns as part of a public sculpture. towering in Allentown Park. The concept is described as “honoring the contributions of women to the home and industrial history of Pittsburgh”.

The project is OOA Designs, a woman owned and operated company founded in 2018 by Oreen Cohen and Alison Zapata. The duo are asking people to donate whatever junk they have and submit photos of lacy, preferably anything that has been in their family. According to a description of the project, the lace patterns will be part of a collage of the “complex steel structure”.

This is not the first park project overseen by OOA Designs. The two artists previously made a series of sculptures for the updated Wightman Park in Squirrel Hill, all of which were unveiled in October 2020.

Those without a material to donate can still contribute to the Emerald View Park Project through a survey on the Art in Parks website, where users can answer questions about their family’s history with the the city’s industrial past, download archival photos, describe their relationship to the park, and more.

The new permanent artwork is expected to be installed in fall 2022.

The sculpture will contribute to Art in Parks’ mission to “encourage the public to reinvent the way they interact with and appreciate public art in park spaces”. Launched by the Pittsburgh Department of Urban Planning, Public Art and Civic Design in 2018, and funded by the Allegheny Regional Asset District, Art in Parks began as a pilot project to install seven works of art on a small scale in six city parks. In July 2021, the city hired local arts chef Casey Droege to help expand the program.

Besides Emerald View Park, Art in Parks works were also planned for Frick Park, Highland Park, Riverview Park and Schenley Park.

Students participate in arts returns | Local news Tue, 11 Jan 2022 15:09:00 +0000

The Students Participate in the Arts program would not be possible without the support of many of our local corporations and municipalities. This Year Students Participate in the Arts is presented by Fifth Third Bank with sponsors Atrium Health, North Carolina Arts Council, Corning Incorporated Foundation, Embassy Suites Charlotte / Concord, Hilliard Family Foundation, Independent Tribune, Cabarrus County, City of Concord, Coty of Kannapolis, Town of Harrisburg, Town of Midland and Town of Mt. Pleasant.

Donate to the Cabarrus Arts Council: Help keep art alive in our community with a donation of any size. Visit

Wall display – Cabarrus County Public Library, Concord – Wednesday, Jan. 12, 3 to 3:30 p.m. Join us for the opportunity to view and discuss the 1941 mural depicting scenes from County history. Cabarrus. Recommended for all ages; registration is free. 27 Union Street North, Concord. For more information and to register, see Library System – Mural Viewing (CON) * (

Beginner Pottery Wheel Course – Thursday, January 13, from 7 p.m. to 8:30 p.m. Adults and children 8 years and over Cost $ 59.92, Includes 2 projects, 2 days of fun … 5 places per session. All inclusive. On the date of the 1st course: Instruction and wheel time. Make 2 bowls or cups, lift and clean to start over. 2nd glazing visit then departure for the final cooking. (Prem. Glaze not included). Be sure to wear proper clothes to get dirty and leave jewelry at home. Tip: trim the nails if possible. Having long nails can be difficult to create. Buy 2 tickets, use the code Buy2Get10 to get 10% discount on your order. * The courses are not refundable. But with 48 hours notice, move on to another date. Paint Your Hearts, 543 Winecoff School Road, Concord. For more information and to register, see Pottery Wheel Lessons for Beginners (Adults and Children 8 and Over) Tickets, Multiple Dates | Eventbrite.

My favorite painting: Nigel Prince Mon, 10 Jan 2022 10:47:30 +0000

Nigel Prince, director of Artes Mundi, in a haunting image of Anwar Jalal Shemza.

Nigel Prince on The wall by Anwar Jalal Shemza

“Shemza was one of my art teachers at school when I was a teenager. An elegant, friendly and encouraging man, it was only years later that I realized the importance of who he was, when, as a recent graduate of an art school, I saw this painting in the 1989 exhibition ‘The Other Story: Afro- Asian Artists in Postwar Britain’.

‘Typical of the period following his graduation from the Slade, The wall is a modest but intense painting. Commanding a sense of space far beyond its scale, it is painstakingly constructed from simplified forms inspired by Islamic art, architecture and early literary influences, especially calligraphy, combined with the western abstraction.

“The surface is structured by a geometry and pattern created with its characteristic use of repeated circular and square shapes. To me, this epitomizes the formative effect he and the others were to have on my future development and interests. ‘

Nigel Prince is the director of Artes Mundi

Charlotte Mullins on The wall

Anwar Jalal Shemza was 28 years old and already a successful artist in his country – a “champion of modernism in the worlds of art and literature of the new nation of Pakistan” in the words of Nigel Prince – when he left for London. In 1952 he had established the Lahore Art Circle and was the author of several novels and radio plays. In London, however, he was an anonymous student and he felt uprooted and detached until a trip to the British Museum offered him new direction. There he studied Islamic art from different periods and merged the formal concerns of European modernism with the spirals of calligraphy.

Drawing inspiration from Islamic art, Mughal architecture, and the soft geometric abstracts of Swiss-born Paul Klee, Shemza created paintings that spoke of plurality and the fusion of ideas. The wall was from her “City Walls” series, painted while still a student at Slade. On a crumpled gold background, two asymmetrical shapes overlap. Both are decorated with geometric boxes filled with arabesques. It could be an aerial view of buildings, layered layers of textiles, or a literary puzzle.

Shemza was increasingly interested in abstract patterns derived from life. He wrote: “One circle, one square, one problem, one life is not enough to solve it. He moved from London to Stafford, north of Birmingham, in 1962, where he taught art. During his lifetime his work did not get the visibility it deserves, but it now sits at the heart of the postwar British art narrative.

“His generally powerful brushstrokes and beautiful juxtaposed colors impart a warm and evocative feeling of pleasure and nostalgia.”

“I love the work of William Nicholson. His still lifes are incomparable.

Robert Macfarlane chooses his favorite painting for Country Life.

Nicola Shulman chooses her favorite painting for Country Life.

Elon Musk fans create giant goat billionaire sculpture on rocket Sun, 09 Jan 2022 22:56:11 +0000

A tax on each exchange of the Elon GOAT token goes towards the funds to pay the designers and makers of the transportable statue, which will also include fireworks and lasers.

As you might expect from Musk fans, the creators are already talking about the statue and comparing it to some of the greatest monuments and works of art in the world.

“At every pivotal moment in human history, a magnum opus, or masterpiece, has captured the essence of that period. Think of the great pyramids of Giza. The statue of David. Picasso’s Guernica the token white paper said.

“The world is now on the brink of the greatest wealth transfer in its history.

“What better way to mark the start of this flamboyant new era, than to do so by celebrating the degenerates involved, alongside the most innovative man of the 21st century, Elon Musk?”

One of the project’s leaders, Ashley Sansalone, told Vice’s Motherboard that he had been involved in other crypto projects, but it was a “passionate project.”

“Elon Musk is basically moving markets and crypto,” he told the website.

“He’s always been a visionary and he’s always been a big supporter of the crypto community. We thought there should be a monument to that.”

Work on the statue has already started, with designer Danny Wang pocketing US $ 20,000 to begin with. Metal sculptor Kevin Stone also started working on the giant aluminum head.

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Alia Shawkat is a cult classic Sun, 09 Jan 2022 11:02:18 +0000

If there is one TV show that has managed to harness the energy of the Trump era – the mania and chaos, absurdity and delusion, rampant nihilism and the suspicion that things might get out of hand – and channel it into something special, without ever making explicit reference to politics, it’s “Search Party”. For five seasons, Sarah-Violet Bliss and Charles Rogers’ satirical thriller followed a group of friends in their twenties who set out to find a missing peer in order to validate their own lives. The show crosses tones and genres with abandon, leaning on its own madness and the misunderstandings of its characters.

When “Search Party” first aired on TBS in 2016, it was billed as a nod to millennials, but it quickly abandoned that premise, going from a mystery to Nancy Drew. to crazy court proceedings to a psychosexual thriller. The show’s fifth and final season, which debuted last week, tackles themes of cult worship and eccentric entrepreneurship (think Elon Musk and Elizabeth Holmes) before unfolding a zombie apocalypse plot. (It also stars Jeff Goldblum.) At the center of the show’s mess is Alia Shawkat, the actress who plays her protagonist and alluring villain, Dory Sief. We’ve seen Dory evolve from a millennial aimless Brooklyn to a murderer to a popular online hero to a mentally ill to a cult leader. She’s the most difficult type of character to play – someone so disconnected from herself that she constantly becomes a new person.

For Shawkat, “Search Party” was also a career rebirth. The thirty-two-year-old is no stranger to television notoriety: at fourteen, she took her hiatus playing the role of Maeby in “Arrested Development”, a show that first went unnoticed before it was released. ‘acquire a dedicated fan base. Maeby, a cranky teenager with a renegade sense of humor, has become iconic enough to define Shawkat’s work for a long time. Now, “Search Party” and Dory have become cult favorites in their own right. Shawkat is, in many ways, the accomplished modern artist, keeping his hands in many pots. She helped produce “Search Party” and wrote the 2018 experimental independent film “Duck Butter”. She’s an avid painter and she’s working on a new TV show based on her father’s life.

Shawkat was in New York City in December to attend the premiere of “Being the Ricardos,” an Aaron Sorkin project that chronicles the behind-the-scenes crises of “I Love Lucy”. (Shawkat plays one of the show’s writers.) With his freckles and mop of curls, Shawkat is a staple in person, and also disarmingly straightforward. We talked over breakfast about the end of Search Party, her friend Brad Pitt, and about being half Iraqi.

“Search Party” has always been about chaos and a change of tone, but this season is really going off the rails. Do you like the note it ends on?

We’re blowing the world up this time around, and it seems like the fitting ending.

It’s funny. When the show first aired, it was characterized as this millennial critic. But now nobody even cares about millennials.

I think even at the start the show didn’t care about caring about millennial things. Dory is a character who is so obsessed with finding out who she is, to the point of mistakenly killing someone. Showrunners have always done a good job of being aware of the culture we live in and making the show a satirical thing. And never take it too seriously. That’s what’s funny about my character: she takes everything very seriously, and the rest of the world has gone mad.

Do you spend time with Zoomers?

I have a small group of Zoomer friends. There are a lot of things they don’t know, but they don’t want to know.

Like what?

The references. Even just movie references – actors, etc. They just don’t need to impress. And you say to yourself, “But I spent so much time learning this! I feel like when I was younger it was about making it look like I knew a lot. From something as benign as movie references to. . . bad sex. My whole 20s was bad sex! But Zoomers are like, “No, we only have great connected sexual experiences.” Well, good for you.

Plus, people of my generation struggle with their relationship with Instagram and social media. They are there, but they hate each other for being there. The younger generation doesn’t even question it. They’re like, “Everything I do is publicly shared, and what’s wrong with that?” I really like taking long breaks with my phone.

In this season, Dory becomes something of a wellness guru with a cult side. Did you meet any cult figures during the preparation for this season?

Dory sort of has the vibe of Theranos, but I was more into Ram Dass, which I love and listen to at the time.

There is an intrigue about an enlightenment pill, which is prematurely thrown at the audience. Was there a connection to the vaccine there, or was he worried it might be seen as a vaccine comment?

I think it’s more about commenting on the idea of ​​packaged wellness. Don’t do the job, take a pill! It’s easier. Not to judge drugs that save a lot of lives, but it’s about this concept of “How to be happy as fast as possible?” “

Are you sensitive to the dogma of well-being?

A little, but not really. I always try to quit smoking. I am not as balanced as I would like. I do yoga. I get depressed and yoga is the only thing that really gets me out of it.

Did anything about the “Research Part” change change when you migrated from TBS to HBO Max? A bigger budget?

I was hoping for an increase in the budget. [Laughs.] But there was none. The only thing I would say is that the writers didn’t have to write during commercial breaks. It’s better for the writers, we’re free to let it flow. And now I feel like people can actually see the show. When we were filming in Brooklyn, especially Brooklyn, you could tell the viewership had increased. People would see us out and on the streets and say to themselves, “This is a fucking ‘Search Party’! “

You are credited as a “creative producer” in the series. What does it mean?

I have always been involved in a creative way, from the start. At first we weren’t sure if that would be something – it was this pilot presentation idea. We did the pilot as an independent film, in a way, before it got hooked up to a network. I think that’s also why I was able to be the leader, because if “Search Party” was already attached to a network, it would have been more difficult for me to be the star of a TV show at the time.

Why would it have been difficult to choose you for the lead role?

If it’s on a certain network, you need to do a drug test. We were able to do “Search Party” exactly as we wanted and hire the actors we wanted to hire. It was super grungy and lo-fi – stealing photos on the subway, wearing some of our own clothes. The whole crew was super young. There was no one to tell us how to do it and what the tone was. When you try to explain a show to suits, it’s like, “Believe me, this is going to be funny!” ” They do not understand.

“Something about being an actor is really embarrassing to me,” Shawkat says.

Have you ever tried to sell your own show?

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International boxer who spends his days painting murals Sat, 08 Jan 2022 15:30:16 +0000

An international boxer traded in the padded gloves and ring for brushes and canvas.

Rob Newbiggin was once an international boxer, turned pro in his early twenties, but now spends most of his time painting and preparing for his art degree.

The 57-year-old was originally born in California, United States, before being adopted by British parents living in Calgary, Canada.

READ MORE:Taxi driver of drug dealer ‘PalacePuma’ partied in Ibiza

At just seven years old, Rob was brought to the UK by his parents where they lived in Manchester and then Blackpool, before settling in Southport where he spent most of his childhood.

Rob spent much of his childhood birding, with him drawing birds while he sat in the Churchtown Botanical Gardens, which spawned a passion for drawing.

Soon after, he realized he could sell his drawings, with his art teacher being the first person to buy one of his drawings when he was only 11 years old.

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Despite the passion that has existed from an early age, Rob wanted to leave the UK and returned to his native country where he joined the US Marines.

After only twelve months, Rob returned to the UK where he appeared to be a professional boxer, having spent his younger years training alongside school and painting.

Rob told ECHO: “I was born in America, then adopted by British parents who had emigrated to Canada. So I was an American citizen when I was born and they adopted me and they took me to England when I was seven and we lived in Manchester.

“From there we moved to Blackpool away from Manchester. I wasn’t drawing at this point but was interested. I was interested in looking at pictures a lot.

“When we got to Southport, that’s when it all started. We lived on High Park Road and I was about nine years old. I was very fond of birding, a bit of a nerd. although i got a little bad after that point i would grab a notepad and a packed lunch and go bird watching at the RSPB and YOC.

Mural of Captain Tom in Southport by Rob Newbiggin

“That’s how it all started. I started to be interested only in ornithology, nothing else. To this day, I can identify every species of British birds. No bird will pass by. in front of my eyes without knowing it. I was like a crazy possessed kid. I copied all kinds of books. I drew them at the same time.

“I first went to the Botanical Garden when I was nine and was addicted. I was sitting there with my little lunch box looking at the geese and swans and pulling out my sketchbook. and I was drawing them. I was aware that people were around me when I was nine and I didn’t mind. I am an art teacher for children now and they are so shy. When I was a child , I did not care.

Portrait of Tom Hardy and his wife Charlotte by Robert Newbiggin of Southport
Portrait of Tom Hardy and his wife Charlotte by Robert Newbiggin of Southport

“The sketches I used to get were actually really good detailed drawings. Looking at the drawings you knew what bird it was, if it was a seagull you know what I want I then sold my first painting to my school teacher at All Saints Elementary School, which is no longer there now, just around the corner of High Park Road, and I was 11. It was a picture of her cat, I just took it, and I think she’s still in her daughter’s house.

“It was also the first time that it was obvious that you could be congratulated by the money for doing it too. I never, ever, and still am not now, the money directed with my art. It was just a byproduct of doing it. Then I was asked to put color in my drawings and I went through everything. Watercolors, pencils, pencils, markers, and then finally I ended up with oil. “

The self-taught artist has spent years boxing and didn’t even try to draw a human face until he was 35.

Rob fluctuated between the UK and Florida in his 30s, becoming a Florida State-commissioned fighter.

Rob Newbiggin with his drawing by Eric Morecambe
Rob Newbiggin with his drawing by Eric Morecambe

Rob’s passion for boxing and training carried over to his work, with the now boxing trainer describing himself as an “aggressive” painter.

He also describes the relationship between running and training with his art as a “synergy”, with him spending his time training thinking about his art, and his time doing his art thinking about training, giving it a balance.

He said: “All I did when I boxed was save money to buy better paint and equipment. People always said it was a weird synergy between paint. and boxing. Boxing is aggressive and the painting is meant to be serene and leisurely but I really see it in both.

“There is a lot of art in boxing, boxing is art, and the coolest, calmest, most gracious boxers are the ones who do the best. The ones who are very aggressive and want to break your blood. head are the ones who are chosen I am very aggressive with my art now When I say aggressive I mean mentally aggressive thinking “okay, come on, I’m going to do it now as best I can”.

Boxer-turned-portrait painter Robert Newbiggin with his oil painting of Queen Elizabeth II in St George's Hall.
Boxer-turned-portrait painter Robert Newbiggin with his oil painting of Queen Elizabeth II in St George’s Hall.

“When I paint I think about the runs and the training I’m going to do later, when I do my runs I think about my painting because I’m with nature It’s a strange synergy but it works very well.”

Rob became a well-known mural artist across the country, but more particularly in the Northwest.

He painted a mural of the Queen standing proudly in St Goerge’s Hall in Liverpool city center, he painted a mural of Semina Halliwell, of Southport, who died aged 12, as well as paintings murals of Tom Hardy and his wife Charlotte as a gift from Charlotte’s family.

This is shaping up to be a big year, with the artist confirmed to be the artist to remake the Botanical Gardens mural, a mural he originally did about 14 years ago, after it was completed. or deteriorated.

As well as revisiting his old job, he is also set to do a mural of Jurgen Klopp, which he hopes to present to the Liverpool manager, and a mural of Desmond Tutu.

Rob is also hoping that he can find an agent as he develops his platform and his work.

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]]> More Ronaldo sculpture fury – The Portugal News Sat, 08 Jan 2022 09:12:15 +0000 A new statue of footballer Cristiano Ronaldo has sparked controversy, this time in Goa, India.

Protesters gathered with black flags as the statue was unveiled in Calangute, expressing their anger at the choice of a Portuguese player given the colonial past of both countries.

According to AFP, Micky Fernandes, a former Indian international from Goa, said the choice was “damaging” and a “hangover” from Portuguese rule.

“Ronaldo is the best player in the world but we should still have a statue of a football player from Goa,” Fernandes told AFP.

Michael Lobo, a local minister for India’s ruling Bharatiya Janata party, told AFP the aim was to inspire young people to excel not only within the country but internationally.

“All the boys and girls who want to make a career in football will be inspired by people like Cristiano Ronaldo,” Lobo said.

“If you chase your dream and are passionate about it, you can reach a higher goal. This is what we wrote on the plaque.

Ronaldo is no stranger to the controversy surrounding the images of himself, with the best-known incident involving the unveiling of an original sculpture at Madeira Airport which has been ridiculed for its lack of resemblance to his subject.

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The Fenimore Art Museum launches a series of virtual tours throughout the winter | Local news Sat, 08 Jan 2022 01:39:42 +0000

The Fenimore Art Museum will present four virtual tours focused on the museum’s collections.

According to a press release, the tours will run from 2 p.m. to 2:30 p.m. on Tuesdays from January 18 to March 8 and will be via Zoom. The full program and tour descriptions can be found on

Fenimore offers free virtual tours, but asks viewers to consider donating – $ 10 is suggested. Those interested can reserve a seat on one or all of the tours on Links to register can be found at

Virtual tours include:

• “Cooper, Cole and the Hudson River School”, a tour via Zoom of the collections related to writer James Fenimore Cooper, artist Thomas Cole and the Hudson River School. It will be narrated live on January 18 and February 22. According to the statement, Cooper and Cole were friends “whose works inspired a love for the sublime American landscape.” Assistant Curator Ann Cannon will lead the tour of the museum’s collection featuring memorabilia from the Cooper family, as well as a variety of paintings by Cole and other key members of the Hudson River School.

• “Highlights of American Folk Art”, a tour via Zoom of selections from Fenimore’s folk art collection. Narrated live on January 25 and February 15. The tour will feature “some of the most important names in folk art such as Anna Mary Robertson (Grandma Moses), Edward Hicks, Ralph Fasanella and more,” the statement said. It will include an overview of 19th century portraits, sculptures, traditional crafts and more. The 20-minute virtual tour will be followed by a live question-and-answer session with Kevin Gray, Arts Education Manager.

• “Thaw Collection of American Indian Art”, a tour via Zoom of the highlights of the Thaw Collection of American Indian Art. It will be told live on February 1 and March 1. According to the statement, the museum’s Thaw Collection of American Indian Art “showcases incredible examples of Native American art, craftsmanship and ingenuity from across North America.” Basketry, masks, weapons, clothing, ceramics, weavings and more, spanning dozens of cultures and hundreds of years, are on display in the Thaw Gallery. Assistant Curator Julia Madore will lead the tour. A question-and-answer session will follow.

• “Elegant New York – Historical Garments Made in New York”, a virtual tour via Zoom of Fenimore’s “Elegant New York” exhibition, will be narrated live on February 8 and March 8. According to the statement, “Elegant New York displays the taste and elegance of the inhabitants and dressmakers of New York City and upstate in the 19th and early 20th centuries, a trend that made the city ​​a national and global fashion center. ” New York City, home to many of the wealthiest families in 19th and early 20th century America, had its own high-end fashion establishments “which could compete with internationally renowned fashion houses,” according to the press release. Even the small towns and villages of the state supported dozens of small seamstresses, whose work often met very high standards. The virtual tour of the exhibition will be led by Cassidy Percoco, Collections Manager at the Fenimore Art Museum and the Farmers’ Museum. She will host a live question-and-answer session after the 20-minute tour.

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Full Circle Productions Receives Ford Foundation Grant Fri, 07 Jan 2022 17:53:55 +0000

Full Circle Productions announces that it has received a grant from the Ford Foundation to support the creation of United Hip Hop Vanguard, a network of leaders and cultural workers who will organize program activities that will support and reverse the last two decades of erasure in the community National Breakin (Breakdance). The network will help in the regrowth of culture as it confronts the ongoing platform of its competitive aspects that have left historical and cultural qualities remaining invisible and obscured. The Vanguard will reintroduce the social exchange that occurs organically during jams and evolve the call and response quality of Breakin as an art form.

“This award will help us bring the recommendations made during our year of Vanguard meetings with concerned and passionate local leaders of the Breakin community nationwide to life,” said Full Circle Productions co-founder Rokafella, recently named “one of the most iconic BGirls in Hip Hop history”, by Latina Magazine, alongside another co-founder and “trailblaz[ing] caption “Kwikstep.

Full Circle will work with the national members of United Hip Hop Vanguard to foster dancer independence while intentionally centering black voices behind the scenes, highlighting black people and aesthetics in decision-making processes. The Vanguard will serve the national ecosystem of breakin culture workers from east to west coasts, invigorating both DJs and dancers through an exchange of testimonials connecting intergenerational practitioners who have made crucial contributions to the Hip Hop community. . These conversations will provide a platform for a mutual exchange of trajectories and ideas, an exploration of the development and sustainability of an artist-led ecosystem, an understanding of the history of the artists’ local scenes and offer approaches. to navigate business platforms while maintaining integrity and sanity protection.

This new model of workshop programming will support and invest in local education and mentoring programs managed and led by local communities. Freelance dancers will be able to offer insight into professional development so that the younger generation can learn from their experiences and build lasting careers. These workshops will provide support at every stage of planning, dancing and archiving to help nurture a successful community of dancers who reach their full potential.

“This Ford Foundation funding will allow hip-hop cultural artists like myself from my birthplace to connect with artists from across the country,” said Kwikstep, co-founder of Full Circle Productions. “Cultural connections are necessary in an era of isolation and uncertainty. These connections will help reinvigorate collective consciousness and unify artists, helping to inspire their local communities. “

To combat anti-darkness and systematic racial injustice in the Breakin community, United Hip Hop Vanguard will hold dance event planners accountable by refocusing and valuing black and brown voices in contests, competitions and other events. Similar of Breakin. This continued work at the national level will create necessary paradigm shifts that will also impact the global Breakin community. Full Circle will lead this group of US-based artists and leaders from the Breakin community with a detailed manifesto and recommendations that will help hold key sponsors, organizations, promoters and high-profile events accountable by empowering and increasing visibility. by Black and Brown. contributions, voices and cultural practices in Hip-Hop.

Through United Hip Hop Vanguard, Full Circle will encourage elite dancers and promoters to appeal to businesses and institutions that benefit BIPOC dancers involved in the National Breakin Stage to invest in the career development of community members. of dance while providing artists with a physical health resource. Full Circle will introduce frequent intergenerational dialogue that is necessary to empower dancers of all ages and enlighten dance event planners on how to actively uplift the history and roots of Breakin by making visible the contributions of blacks and black people. Browns. This intergenerational sharing of knowledge about the Afro-Diasporic history of Breakin will promote a better understanding of the factors that led to the emergence of Hip-Hop in the late 1970s in New York City. As the community begins to negotiate how it will be presented within the Olympic platform, it is essential to keep the ownership of cultural aesthetics in the trajectory of this global urban expression.

United Hip Hop Vanguard’s first 2022 reunion will take place February 25-27 in Cleveland, OH. The next meetings will be in Phoenix, AZ; Miami, Florida; Portland, OR; and Los Angeles, CA, with dates and details to follow.

This is the second Full Circle grant from the Ford Foundation. In 2006, they secured funding for a national project showcasing the participation and contribution of women in the Breakin world. Under the direction of Rokafella, who identified local BGirls (Female Breakers) in six cities across the country, Full Circle has programmed uplifting female-centric dance performances ranging from theatrical performances to dance competitions, all followed by discussions. These discussions helped spark a dialogue about the hidden issues facing women in local and national Breakin scenes, as well as other Hip Hop elements. A short film called All The Ladies Say, included in the Third World Newsreel catalog in 2011, captured segments of the tour in six cities and continued to have an impact in the community after the trips were completed. There has been an increase in the number of women involved in the Breakin scene since that time and currently there is more consensus on the need to respect women in the scene. United Hip Hop Vanguard is a project sponsored by Fractured Atlas, a non-profit arts service organization.

About Full Circle Productions

Full Circle Productions, founded in 1996 as a non-profit organization, kicks off a new year of cutting-edge hip-hop on local and international stages, streets, cyphas and industry. The company, also known as Full Circle Souljahs, started out as a duo consisting of Kwikstep and Rokafella, who then invited retired royalty of Hip-Hop & B DJs to rekindle their fires and collect their crowns. In no time, Full Circle found a base in the Bronx, the birthplace of hip hop, and grew to include Beatboxers, MCs, and dancers from various ethnic backgrounds. Full Circle also offers young women an environment to practice and perform a Breaking repertoire comparable to that of their male counterparts. The members, who range from their teens to their early fifties, help create an interactive empowerment network that benefits both seniors and youth. This range creates a multi-faceted cycle of learning about hip-hop history, industry and life lessons, as well as grounding participants in the popular origins of urban culture. Full Circle, the only classic hip-hop dance company of its kind in New York City, proudly references its roots and style in street performances (aka Hittin) – this is where Kwikstep and Rokafella began their trip. During its existence, Full Circle has grown from hosting international hip-hop companies for cultural exchanges to portraying hip-hop culture in places once intangible to the ambience of the street such as the Library of Congress in Washington DC, where they are given the credit for being the first Hip-Hop group to honor the scene. Music videos, tours, commercials and films have featured members and students of Full Circle Prod, testifying to the idea that art can become your career if you are disciplined and willing to take risks. A short documentary “Visiones – Latino Culture in the US” aired on PBS highlighting the ups and downs of business, maintaining street credibility and maintaining cultural context. For more information visit

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